| CD |
Second-hand
Tales (released
June 2006) |
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About
the design |
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The
Stories:
Ananzi Gathers Stories
Death In A Nut
Three Feathers
Jaguar and Hare
The Players:
Rick
Barrows - Mandolin
Rob Brookes - Illustrator
Maureen Burford - Violin
Steve Glazer - Guitar
Kristine Stykos - Engineer, producer
Simon Brooks - Storyteller, bodhran, producer
Available:
www.CDBaby.com
iTunes
Booked
Solid, Bradford, VT 802-222-5826
Music Matters, West Lebanon, NH 603-298-6625
Norwich Bookstore, Nowich VT 802-649-1114
Mini Kids Corp, Lebanon, NH 603-643-2633
(currently sold out)
Woodbury
Mountain Toys, Montpelier, VT 802-223-4272
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Between
October 2005 and June 2006 I worked on making my first CD, "Second-hand
Tales", and what a fantastic time I had. I have had a great
deal of fun, but if anyone tells you it is easy, I would have to
slightly disagree with them!
The CD
is now in stores - see above for details.
The CD release
PARTY was held on 10th June 2006, 2pm at the Howe Library, Hanover,
NH.
The
Stories
I would suggest that these "Secondhand Tales" are for
5 and up. They are all told with humour (even Death In A Nut
has humor in places) and each character has a unique voice, making
for a highly entertaining recording. One of the hardest things I
had to do was to pick out four stories that I felt would work really
well on my first CD. Robert Smyth, producer, told me that I should
pick out stories that are part of my "normal" repertoire,
so that is what I have done. Why the title, "Secondhand Tales"?
Well, I have to say that my friend and artist, Rob came up with
that. All these tales are secondhand, slightly used, passed on from
teller to teller, generation to generation. Each re-telling gathering
a little of each teller as it is told. Whenever I find a story that
I like, I always try to find the oldest source of the tale. Once
I have done that, I listen for the voice of the story and then speak
through that voice. Sometimes it is easy to find the voice, sometimes
not so easy. These stories are stories I love to tell and want to
share with you, the listener.
For me,
the tale Ananzi Received Stories
is a must for a first story on a first CD, so here it is: Ananzi
the spider, the trickster of Africa and the Caribbean, explaining
why there are stories to be told!
TOP
Death In A Nut is one of
my favourites from the first ever storytelling recording I bought,
many years ago. The recording is a double tape cassette produced
by English Heritage, with stories told by Eric Maddern. Eric got
the story from the Scottish storyteller Duncan Williamson. I contacted
Eric, who said it was fine to use the story, and also gave me some
good advise. Eric has released the story in book form, told in his
own way, and I highly recommend it. Our
society is too afraid of death, these days, we tend to try to fight
it or ignore it. Death (and taxes) is the only thing we can be sure
of in life and we should get to know death a little better (not
always first hand, though!), gain respect for death and understand
it more. I hope this story goes someway to address that.
TOP
Three Feathers is a traditional
Austrian folktale I first read in a book by Anrej Dugin and Olga
Dugina, I then heard it told, with some adaptations, by a local
storyteller here in the Upper Valley. I took the two and put my
own spin on this classic journey tale, where love conquers all and
the good guy gets the girl. Of all the tales I tell it is my wife
Sarah's favourite story.
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The final story on this CD is a traditional South American moon-tale.
Jaguar and Hare explains why the shadows
on the moon sometimes look like a hare. The end of the CD, in some
ways, reflects the end of the day, so a moon tale seemed appropriate.
A couple of points on this story: it mentions cocoa, which originally
comes from South America, which was a form of wealth and currency
there. Hare, towards the end of the story, escapes on an elasticized
vine. Such things do exist in South America and probably in other
parts of the world, too. These vines were (and maybe still are)
used as an initiation rite of passage for boys. They would undergo
training, and when the time came for their test to become men, they
would go to the forest, cut their own length of vine, and climb
a certain tree. They would then tie one end of the vine to their
ankle, the other end to the platform they were standing on and jump.
If the length of vine was was the perfect length, they became men
as they bounced above the ground. If the length was not correct,
they failed the test. Jaguar and Hare is a short and funny tale
of how Hare landed on the moon, which makes, not just a good tale
to end the CD, but a great story for bedtime. Don't worry, he is
not doing an initiation!
CLICK
HERE for a downloadable (PDF) bookmark
with the story of 'Jaguar and Hare'.
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Steve
Glazer, my friend, colleague, and huge supporter
played a Taylor guitar on this
recording. Steve has given me no end of support for not only this
CD, but for my career as a storyteller. He is an amazing guitarist
and without him, the music on this CD would not have been what it
is - fantastic. Steve loves guitars & gardening, friends &
family, dancing & his dog, music, meditation and Questing! He
is currently the author/editor of four books: Questing: A Guide
to Creating Community Treasure Hunts, Valley Quest: 89 Treasure
Hunts in the Upper Valley, Valley Quest II: 75 MORE Treasure
Hunts and The Heart of Learning. Visit www.vitalcommunities.org
for more information.
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Rick
Barrows plays a Flatiron mandolin on "Secondhand Tales".
I heard him first playing "properly" at Peabody Library
(where I work as children's librarian), and, having fun, at Treasure
Island, Thetford Town's beach (in Fairlee, VT). He is a friend who
I have a great deal of respect for, as a musician, recorder of artists
and father! His advise and generosity towards me has been amazing.
He plays in two contradance bands: Northern Spy and Cuckoo's Nest.
Go and see him (and the bands he plays in) if you get the chance.
He also has a rapier wit!
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Steve
recommended Maureen Burford as fiddle player. Maureen is
a friend of ours who is also an accomplished musician. We went into
the studio a day after she returned from a long trip from the other
side of the country. Despite suffering from jet-lag, she gave over
100% to the recording. Maureen provided rehearsal space, a generous
spirit for this project and a lot of creative input to the music.
Maureen started violin in 4th grade, but never liked to practice
much! She dances a lot, sings with Revels North, and still tickles
the ivories once in a while. She has a wonderful laugh, too.
TOP
Rick
recommended a friend of his (of course) for the recording process
of the project - Kristina Stykos. Kristina is an accomplished
musician herself, not only a member of a number of bands, but also
as a solo performer.Kristina has her own website, well worth a visit:
www.kristinastykos.com
It has been a joy working with Kristina who made this, my first
time in a studio, a fun experience. Kristina's studio is Pepperbox
Studios, Chelsea, Vermont and is completely off the grid. So you
might say this CD is an environmental one! Solar-powered recording,
with minimal plastic packaging! If you are looking for a studio,
you can reach her at: pepperbox@starband.net
TOP
It has to
be said that these people have been incredible. I sent the musicians
a rough cut of the stories and in three meetings,
we put together an original piece of music, and rehearsed it. We
then went to the studio and put it all down. The music you hear
is original, written by all of us (mostly Rick, Maureen and Steve
- if I am to be honest) in a truly creative and collaborative effort.
No one person can take credit for writing this piece and I wish
I could share some of the moments (on film or tape) we had coming
up with the music! Kristina offered some great creative input when
we were in the studio, bringing out the best in everyone. Each brought
their own background and very distinctive way of working to the
project. To all of them I offer a huge amount of thanks. By the
way, the piece is called
"Bear Hoot Holler" (Barrows, Brooks, Burford, Glazer).
The
cover artwork was done by Rob Brookes (no relation). Rob,
like myself, is British, but Rob still lives in the UK. He and I
worked cross-Atlantic, back and forth with phone calls and emails
on the design for the CD. Click here
if you want to see the other ideas and working
materials. Rob is a good friend of mine from way-back-when.
I have always wanted to work with him in some form or another. I
wrote a book which he started to illustrate, but I have not yet
found a publisher for it! Rob is one of the best artists I know.
His imagination is literally out of this world. He is the consummate
professional and brings so much life to his art. I cannot say enough
about his talents, but will let his work speak
for him. If you care to work with a British artist residing
in the UK, then you can contact Rob by emailing rob@robbrookes.demon.co.uk
. He gets a bigger picture because he gave many, many hours to this
project and for that I thank him.
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Acknowledgments
and thanks
First and most importantly, I have to thank my own family: Sarah,
Aidan and Perry, for supporting me through this whole process. Aidan
is a great listener to my stories and gives me encouraging feedback
(for a six year old) and it is his voice at the end of the CD. Perry
is also good at listening and has been a wonderful sounding board
for when I practice my tales. She is 9 months old! My wife is the
most generous person in the world, so forgiving of me. She works
so hard and yet still finds energy to help me with my career as
a storyteller, children's librarian, stay-at-home dad and sometimes
photographer. She is one of life's real heroes!
Making a
storytelling CD is not a solo project, but is one filled with many
helpers on all levels. It is not just, in my case, a question of
recording my stuff and putting it on disc. Many people contributed
to the whole process, from finding and learning the stories, to
ideas and encouragement. These thanks extend to the families of
all those who helped. Thanks for letting my friends "play"
with me and my ideas. Thanks to my friends who have looked after
the kids when needed, given energy and support to this project and
to our lives. Robert Smyth gave very generously of his time, providing
advise that I took and applied to the project. Curt Doughty, a friend,
professional photographer and musician out in Seattle, WA told me
I could do it easily and I should not be so worried. He was right
about the worrying! Robert Savell, his wife Ruth and their daughter
Trillium all helped. Robert, for the use of your portable DAT machine
and your time in getting those initial rough recordings of mine
on to a CD, thanks. Ruth thanks for your support and Trillium, thanks
for listening and giving feedback. Thanks to the many people of
the League for the Advancement of New England Storytellers (L.A.N.E.S.)
who also gave advise and support. L.A.N.E.S.
is a wonderful community of very creative people, not only storytellers,
but graphic designers, and artists in other fields and mediums.
All these people helped create the CD and make it what it is, however,
any faults that you might find are entirely my own. Enjoy!
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